Fixed bridges
Low-to-high—6, 5, 4, 3, 2, 1—is easy to remember and matches how tuning names are written. The exact direction matters less than checking every string and repeating after total tension changes.
Floating tremolos
On a floating bridge, tightening one string pulls the bridge forward and lowers the others. Alternating between outside and inside strings, such as 6, 1, 5, 2, 4, 3, can distribute changes more evenly.
After a major tuning change
When moving several semitones or installing strings, first bring every string close rather than perfecting one. Then make progressively finer passes until the entire instrument stabilizes.
Step-by-step check
- Identify whether the bridge is fixed or floating.
- Bring all strings near their targets.
- Use 6-to-1 for a fixed bridge.
- Use alternating passes for a floating bridge.
- Repeat until no string moves meaningfully after the others are adjusted.
Reliable tuning habits
Work with one string at a time, use a moderate and repeatable picking attack, and let the initial pitch settle briefly. Make the final adjustment by approaching the target from below so slack is taken out of the tuning post and nut. After all six strings are close, repeat the entire pass because every tension change can slightly affect the other strings.
Use the displayed string list as a checklist
After each adjustment, mute the string and move deliberately to the next displayed target. On a fixed bridge, low-to-high order is easy to remember; on a floating bridge, alternate across the set in repeated rough passes. Whichever order you choose, finish with a complete second pass. The repeat matters more than treating one string as perfect while the remaining strings are still far from pitch.